It was a pretty
horrible experience, and I wanted nothing to do with Bradbury after that. I kept away from him fairly well until
graduation. There might have been
another book or short story in between then, but they didn’t leave a very
strong impression. It wasn’t until
college when I picked up a copy of The
Illustrated Man that I was blown away.
Bradbury has a very
musical narration as he tells his stories, and each tale is vivid and evokes a
very specific emotion with childlike wonder, even in, or especially with, the
horror tales.
Since The Illustrated Man, I have loved
everything I’ve read by him, from well-known books like Something Wicked This Way Comes and The Martian Chronicles, to more obscure titles like The Halloween Tree. I just reread Fahrenheit 451 for my book club, and this time around, perhaps
because I’ve had a few years to mature, I was deeply moved and this has become
one of the most important books I’ve ever read in my life. It’s essentially perfect as a story,
wonderful milieu, and the most prophetic dystopian novel ever told. Except for the fire department, every
horrible aspect in that vision of the future has come to pass.
Bradbury is incredible
and will go down as one of the most important authors of the Twentieth Century.
The catalyst for
focusing this post on him is because of his novel Farewell Summer, which title was the inspiration for last Friday’s
poem. The story and my poem have nothing
in common beyond the words “farewell” and “summer.”
Farewell Summer
is the sequel to Dandelion Wine. It’s October and Doug, who is turning into a
teenager, realizes that he’s growing up and does not take the news well. In fact, he rebels against the thought of
growing up, ever. So much so that he
goes to war with the senior citizens of his town.
He gathers the boys to
attack the old men’s houses, steals their chess pieces, and even attempt to
stop the city clock in a futile effort to halt time. It’s a simple, ridiculous premise that feels
magical and completely encapsulated how I felt about growing up at that age.
This story is so good
that I want to go back and read Dandelion
Wine again, just so I’ll appreciate what my teacher failed to instill back
when I was 14. The older I get, the more
impossible it is for me not to be in love with any of Bradbury’s work.
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