I’m into ghosts, vampires, witches, summoned demons,
and mutants; something that’s given to more than appetite. That’s the type of monster I want the heroes
to encounter, be terrified of, and depending on the tale, overcome.
Naturally, I have roommates that love zombie
flicks. And I mean love. The latest episode of The Walking Dead is always on the night
it comes out, and most of Netflix is used to locate any and all types of zombie
flicks, good, bad and even worse. It was
inevitable that I would have to watch some of these movies.
Most are so bad that I go to my bedroom to watch my
anime (when I should be doing homework.)
Even in the smelliest dung heaps, though, somebody
will make something that’s fantastic.
Over the past weeks, I’ve come across two zombie movies that I thought
were awesome: Night of the Living Dead
and Devil’s Playground.
Funny, enough, most of the drama does not come from
the zombies. In both cases, zombies are
more of a plague, a force of nature, but the real enemy is the other
survivors. With Night of the Living Dead, which established the modern zombie, puts
random people trying to make do with a cabin none of them lives in. There is one admirable character, Ben, trying
to save himself and the woman he took under his wing, and he knows how to
defend him. But he needs help from the
group, and the cowardice and betrayal of a couple key people undoes everything
he tries to do.
Same thing with Devil’s
Playground, a pretty recent film and British-made, so naturally, they’re
not afraid to be risky and try to be intelligent in their storytelling. Again, the zombies never terrified me. I could admire the cunning some characters
take to evade them or take a few out, but that’s as far as it goes. But the group of survivors sucked me in when
nothing else could. It was like watching
a more action-packed version of Lord of
the Flies. There’s struggle for
dominance, cowardice, betrayal, and even a spark of true heroism from the
unlikeliest people.
There was still some hokey-ness in Devil’s Playground. The flashbacks were too repetitive and never
added more to the protagonist we didn’t already know. And I hated that phony issue of how the one
woman who could stop the “zombie-plague” from taking over the world should not
have to be a science project. What a
selfish outlook compared to the millions in danger.
Oh, well. I
can’t say I’m antagonistic to the zombie anymore. But they’re still not scary, just gross. And they haven’t added anything that hasn’t
already been done in any other post-apocalyptic story. Fortunately, I like the post-apocalyptic
tale.
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